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The Quiet Rise Of Olivia Dean, The Young Muse Of Soul

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A glance at the most-listened-to songs on Spotify is enough to know that Olivia Dean, 26, is destined to be one of the most promising young artists of today. So much so that, despite having spent seven years in the music industry, she has now been nominated for her first Grammy: on February 1, 2026, she will find out whether she wins the award for Best New Artist. But who is Olivia Dean?

In a musical landscape dominated mainly by pop, hip-hop, and Latin genres, the British singer is emerging as a leading figure in international soul. With her smooth voice and mellow rhythm, she has captivated more than 48 million monthly listeners on Spotify.

“I’ve done a lot of work on myself. I’ve been in therapy for a long time, and I’m fascinated by my own mind in understanding who I am, but also who I am to others and how I can be better to others. It would be impossible for that not to seep into the music. I’m very interested in the concept of music as therapy,” she said in an interview with Harper’s Bazaar last October.

Her love for making music goes way back: when she was 15, she entered the prestigious Brit School, where Amy Winehouse, Adele, and Leona Lewis studied, and every day she had to travel three hours from home to to pursue her dream.

She is also defined by being an artist who cares about her fans. Recently, she expressed on her Instagram stories — where she has more than three million followers — she spoke out against ticket scalping for her upcoming tour.

“I’m sorry that there seems to be an issue with ticket re-selling and pricing,” she said. “My team are currently looking into it. It is extremely frustrating as the last thing I want is for anyone to be scammed or overcharged for our show. Please be wary buying tickets in the comment sections as it is most likely a scam.”

The artist accused major ticketing websites for setting what she considers abusive prices. “Ticketmaster, Live Nation, AEG: You are providing a disgusting service. The prices at which you’re allowing tickets to be re-sold is vile and completely against our wishes. Live music should be affordable and accessible, and we need to find a new way of making that possible. BE BETTER,” she criticized, after announcing her The Art of Loving tour across the United States and Canada on November 14, following stops in several European cities.

The response to her complaint arrived on Wednesday, November 26, when Ticketmaster announced that it would limit future resale fees for Dean’s tour and that it was in the process of “refunding fans for any markup they already paid to resellers on Ticketmaster.”

“We share Olivia’s desire to keep live music accessible and ensure fans have the best access to affordable tickets,” said Michael Rapino, CEO of Ticketmaster’s parent company, Live Nation Entertainment.

The ticketing company AXS also stated last Thursday that it would refund the price difference to anyone who paid more than the original ticket price, and that it would cap all future ticket resale prices.

Her music seeks to create a connection between the old and the new, it’s a timeless blend of soul, jazz, and contemporary music. “I’m drawn to making things that can last. I think your job as a songwriter is to try to document a time and your story and make people feel things, but also leave something behind,” she told Marie Claire in an October interview.

But Dean isn’t just defined only by her velvety music; her wardrobe, mainly composed of long, elegant dresses, is also an intrinsic part of her stage presence. When asked by Vogue what a tour must have, she replied: “I think it’s got to do one of a number of things. But for me, it’s got to sparkle.” “Or it’s got to have an interesting shape and influence the way that I move. Or it needs to — just on a base level — make me feel really confident and beautiful and comfortable. I don’t think I perform well if I feel uncomfortable. I need to feel beautiful to be my best self. But yes, I love sparkles,” she said in the September interview.

Although she hasn’t been in the music industry for a full decade, she already has an impressive discography. She has released five EPs, 28 singles, and two studio albums. Her latest, released this year, is titled The Art of Loving. On the album, she wanted to show greater emotional maturity than on her first record, Messy, released in 2023. “I think generally, as a person, I’m more centered and in touch with myself than I was two years ago,” she told Vogue. “I’m not saying I know everything about love, guys. I’m trying to work on myself and learn and be a better person, and I think that was all through writing these songs.”

The first single from this album is Nice to Each Other, which went viral on TikTok and other social media. “I wanted to start with something fun — something that felt flirty but also meaningful, which I feel is me in a package. And I think it’s a good introduction to the world of the theme of love. Before you even get into love, you get into dating, and you start to navigate that space. And that space is a scary place right now,” she told Vogue. “So I feel like I needed to remind everybody that we can still treat each other like people and not dash each other’s hearts about.”

In terms of numbers, Dean became the first British female artist since Adele to have three singles in the U.K. Top 10. Globally on Spotify’s most-streamed songs chart, two of her tracks, Man I Need and So Easy (To Fall in Love), were competing closely with Taylor Swift and her latest album. In October, she also opened for the final leg of Sabrina Carpenter’s Short n’ Sweet Tour in cities like Pittsburgh, New York, and Nashville.

Her lyrics also reflect pride in her origins. Her maternal grandmother was part of the Windrush generation that migrated from Guyana to the U.K., and in one of her most beloved songs, Carmen, she pays tribute to her. “I’m very close with my granny. She was very present when I was growing up, and at one point, we were roomies — we shared a bedroom. When I was writing [Messy], she wasn’t doing so well, and we were spending a lot of time together,” she told Rolling Stone in September.

Her mother is Jamaican-Guyanese and in 2020 became deputy leader of the Women’s Equality Party, the first Black person in that role; Dean has said her own ideology comes directly from her. “I try to work with as many women as possible because I feel comfortable in that space,” the British singer explained in an interview with Elle in July.

Her music videos, for example, are always directed by women: “It just makes sense for my videos to be directed by women because there’s so many talented female directors that just don’t get a look-in! This is something I plan to continue doing for the foreseeable, so I will really be trying to find as many women as I can,” she explained in a 2021 interview.

At her concerts, the audience often shout in unison lines like “I don’t want a boyfriend!” from her song Nice to Each Other.

When it comes to her personal life, Dean prefers to stay private. But while she doesn’t like to discuss her relationships, she does talk about love.

“I used to have a very black-and-white view of love,” she told Harper’s Bazar. “Just because someone wasn’t the love of your life doesn’t mean it wasn’t important or meaningful or that that person doesn’t still deserve respect. t. Romantic love is not the most important thing in my life, and I don’t think that’s cynical to say. […] I don’t need to be in a relationship. If one comes and it’s amazing, that’s so good. And if it doesn’t? I still love my life. It took time to get there, though.”

In July, she appeared at Wimbledon with drummer Eddie Burns, after having been romantically linked to Harry Styles in 2024. She conveys love through her lyrics and soft melodies, a style that has already earned her a Grammy nomination.

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Claudia Sheinbaum

US Pressures Mexico For Violating The 1944 Water Treaty

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Water has become a source of internal and external dispute for the Mexican government in recent months. On November 25, the U.S. State Department reported on a meeting between Mexican and U.S. officials in which, it claims, it “pressed” Mexico to comply with its obligation—stipulated in the 1944 Water Treaty—and supply “the maximum possible amount” of water to users in Texas. “The shortfall in water deliveries has exacerbated the shortage in Texas and contributed to hundreds of millions of dollars in crop losses,” they warned.

The demand echoes months of complaints made by farmers in the southern United States, Texas Governor Greg Abbott, Agriculture Secretary Brooke Rollins, and Republican Senator Ted Cruz, some of the voices that have most pressured Mexico to comply with what was agreed in 1944, in the bilateral treaty that manages the distribution of water from three rivers: the Colorado River, the Rio Grande, and the Conchos River, for the population of both countries.

According to the 1944 treaty, the United States is required to send 1.5 million acre-feet of water (1.85 billion cubic meters) annually from the Colorado River to Mexico, and Mexico is required to deliver 1.75 million acre-feet (2.2 billion cubic meters) from the Rio Grande in five-year cycles. The most recent cycle (2020-2025) ended last October with less than half of the quota delivered.

For Rodrigo Israel González Velázquez, a water management specialist at the Colegio de la Frontera Norte (Colef), the bilateral treaty is a benchmark because it was one of the first agreements in the world to manage water distribution between two countries. However, internal differences have become complex: “Legally, given the signed agreements, Mexico does have a deficit in its deliveries, although the U.S. has delivered less water in the Colorado River basin, but this was prior to an agreement between the two countries. It has been easier for the stakeholders in the Colorado River basin to reach an agreement, and there are signed agreements from the International Boundary and Water Commission (IBWC), which is like an extension of the treaty, that has facilitated it. But in the Rio Grande basin, it has been very complicated; they have been trying to reach an agreement for years, since the 1990s, to see who has to cede water,” he says.

The general conditions in northern Mexico also complicate negotiations with the outside world. Experts on the subject assert that the overexploitation of aquifers, excessive water concessions, urban growth, and a decrease in rainfall in the region of up to 20%, in addition to other climate variations, create a worrisome situation within Mexican territory itself. This makes it difficult for Mexico to respond to the United States with more efficient measures to deliver its allocated water.

María del Socorro Marquina Sánchez, an academic and legal scholar at the UNAM Faculty of Law, points out that “if Mexico fails to meet its obligations in a five-year cycle, as has happened since the 1990s, when there have been delays, the treaty stipulates that it can be compensated for in the following five-year period. This has generated controversy, especially this latest time around, when we are in a very critical situation because we haven’t even reached half of the required delivery. In other words, we are getting worse and worse in complying with the agreement,” she notes.

The Trump administration is well aware of this, having threatened to sanction Mexico last April if it failed to comply with the treaty. The Republican leader, through his Truth Social network, demanded the delivery of more than 1.3 million acre-feet of water (1.52 billion cubic meters) for farmers in South Texas. ““I will make sure Mexico doesn’t violate our Treaties, and doesn’t hurt our Texas Farmers. […] we will keep escalating consequences, including TARIFFS and, maybe even SANCTIONS, until Mexico honors the Treaty, and GIVES TEXAS THE WATER THEY ARE OWED!,” he wrote on April 10.

Experts acknowledge that Mexico has mismanaged its resources at various times, and that the current situation is further complicated by demands from domestic farmers and other political issues that ultimately hinder progress. González Velázquez adds to the equation a lack of continuity in agreements and internal work at the National Water Commission (Conagua), the federal agency responsible for making decisions on the Mexican side. “There is a lot of staff turnover. Sometimes people come in and make agreements, but then they’re replaced, someone else is put in, and those agreements that were already made aren’t respected,” he says.

Pressure from Mexican farmers

Amidst the United States’ demands for Mexico’s compliance, President Claudia Sheinbaum’s government faced weeks of pressure from Mexican farmers who rejected its proposed reform to the National Water Law. The protests, which included the closure of roads and federal highways in more than 20 states, along with other demonstrations, rejected the changes proposed by the executive branch, which would significantly alter the transfer and renewal of agricultural water concessions.

After several days of blockades and public disputes, Morena legislators in the Chamber of Deputies began to finalize changes to the bill with the farmers, which include adjustments to water use concessions.

Dr. Marquina Sánchez points out that the water problem on the various fronts that the Mexican government is currently facing is even more serious because a solution for deliveries to the U.S. could involve cutting off the water supply to several communities in the north of Mexico.

Calexico, California

“Undoubtedly, without good internal coordination in Mexico, it will be difficult for it to meet its international obligations. If things are bad at home, then obviously we won’t be able to fulfill them satisfactorily abroad.” Marquina also points out that Mexico has “deficient water management” with structural problems, obsolete infrastructure, and a lack of proper maintenance of dams and other water equipment. He also says that there is an over-allocation of permits to farmers, without any measurement of the water that flows. “We tend to focus too much on the good years, hoping that next year will be better and rainier, and that’s not the point,” he says.

President Sheinbaum said on October 30 that Mexico will comply with the treaty: “There will be a delivery of water now that there are more resources, without putting human consumption and agriculture at risk,” she said.

The U.S. State Department, in its statement of November 25, responded: “We remain committed to working with Mexico to resolve this issue through diplomatic channels as we continue to evaluate all available options to ensure Mexico complies with its water delivery obligations.”

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The Anacé Indigenous People Are Protesting TikTok’s Construction Of The Largest Data Center In Brazil

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Before getting into the details, Roberto Ytaysaba, who is from Brazil, wants to make one thing perfectly clear: neither he nor the Anacé Indigenous people, whom he leads, are against progress. “We’re not against progress if it respects the communities, nature, spirituality, the autonomy of [native] peoples and Convention 169,” he clarifies, one recent morning in his village.

They’ve had electricity here since the 1980s. The school teaches ethnomathematics to the children. And, recently, the village inaugurated a clinic specifically for Indigenous people, something that’s the envy of this region in the arid northeast of Brazil.

However, as so often in recent centuries, a threat looms over them. “This project is an invasion, just like the Portuguese invasion in 1500, what they called the ‘discovery,’” this Anacé chief warns. Born in 1976 in a hammock, he’s known as Chief Roberto. He elaborates on his arguments — which are seasoned with history, metaphors and irony — in the communal kitchen, which is the heart of the village. As he speaks, a pleasant breeze tempers the heat.

The traditional lands of the Anacé are located in Caucaia, a municipality which is part of the Fortaleza metropolitan area. After resisting the Portuguese here, between the 17th and 18th centuries — what the colonizers’ chronicles referred to as the “War of the Barbarians” — they now face a formidable 21st-century adversary: TikTok, one of the world’s most popular social media platforms.

This Indigenous community has launched a peaceful battle with the support of lawyers, NGOs and the Public Prosecutor’s Office against the Chinese company. They fear that the mega-data center it plans to build on land which they consider to be their own will negatively impact them. They’re also concerned because no “free, prior and informed consultation” took place, as mandated by the Indigenous and Tribal Peoples Convention of 1989 (an International Labour Organization convention, often referred to as Convention 169). Around the world, this convention is as frequently ignored by investors as it is invoked by Indigenous peoples.

ByteDance, the company that owns the social media network that has captivated hundreds of millions of internet users, has partnered with a Brazilian wind energy company, Casa dos Ventos, to build a 300-megawatt data center that will be the most powerful one in Brazil.

ByteDance “appreciates the license that has been granted [so that] TikTok can operate a data center in Brazil,” according to a statement responding to inquiries made by EL PAÍS. The firm adds: “We [are continuing our discussions] with local partners and look forward to collaborating with local communities in our commitment to sustainability, equity and transparency.”

In another statement, Casa dos Ventos notes that it “complies with all international and national conventions and regulations.”

Chief Roberto recalls that one of the first discoveries he made during this battle against the tech giant is that the cloud — the place for storing data — isn’t actually an ethereal space. Rather, it’s a physical place, one that’s located on Earth.

Like many Indigenous people in Brazil, Roberto Ytaysaba also has a Portuguese surname: Roberto Antonio Marques da Silva. The chief says that, in addition to his leadership roles, he works as a teacher and librarian at the local school, while also doing shifts as a security guard. He mentions that, after meeting his wife, he abandoned his plans to become a Catholic priest.

Chief Roberto grabs his helmet and rides his motorcycle a few miles, until he reaches a crossroads. On the other side, he shows EL PAÍS the field that’s apparently reserved for TikTok. It lies on what the Anacé people consider to be their traditional lands.

The plot is relatively barren, with a couple of small ponds, some trees and bushes, along with white stakes and numerous stones that gleam with silvery flashes. On the way to the site, the chief points out another encroachment… this one of a religious nature, he jokes. It’s a shrine dedicated to Saint Hedwig, erected by a local member of parliament.

Why would the firm want to place this data center in this particular spot, here in the Fortaleza metropolitan area? The answer lies at the bottom of the sea. The capital of the Brazilian state of Ceará is a major hub for the submarine cables that connect Brazil’s internet to the world.

Construction to house TikTok’s supercomputers will begin “this year or in early 2026,” according to the Brazilian company Casa dos Ventos. And “the first phase will be operational in the second half of 2027.” For now, however, nothing on the rocky site indicates that the project, which Brazilian authorities have placed great hopes in, is about to take root at this site. The government has estimated that, should it go through, the center will attract $9 billion in investment.

Brazil is campaigning to attract the growing data center industry. It aspires to become one of the international epicenters of the business. And, to that end, the country offers investors tax breaks, low costs and abundant sun and wind that, thanks to renewable energy, could power these supercomputers that operate 24 hours a day, seven days a week. “Data centers are now the heart of the digital ecosystem, driving innovation, expanding connectivity and generating jobs worldwide,” Communications Minister Frederico de Siqueira emphasized, at the inauguration of one of these projects back in October. “The expectation is to attract other centers, [in order to] strengthen digital sovereignty and expand our data storage and processing capacity,” he added. Brazil is home to nearly 200 data centers, which, according to the government, employ two million people.

The government’s interest in the TikTok project is at its peak. President Luiz Inácio Lula da Silva even met with the company’s CEO, Shou Zi Chew, at the latter’ request. This 30-minute-long meeting took place back in September, in New York City, where the Brazilian head of state was attending the UN General Assembly.

The traditional lands of the Anacé people still haven’t achieved legal recognition as an Indigenous reserve. Still, the community enjoys tacit recognition, because the authorities provide them with educational and healthcare services that are adapted to their culture.

The lack of formal recognition has been compounded by the effects of a schism, one that has a familial element. The new data center will be part of the Pecém Industrial and Port Complex. Ytaysaba explains that the reason this complex was built in the first place was because a splinter group of the Anacé agreed to cede the land (behind the chiefs’ backs), in exchange for their relocation. For this reason, the remaining Anacé, whom he leads, don’t recognize the agreements made by the dissenting relatives. Instead, they assert their right to these lands. “We want them back,” he demands. After that internal rift, these Indigenous people approved their own 26-page protocol for internal consultations.

The news that TikTok and its Brazilian partners were going to set up shop in Caucaia came to the tribe thanks to an article published by The Intercept Brazil back in May. It revealed the enormous quantities of water and energy that the project would require, while reminding readers that the city had declared a drought emergency in 16 of the last 21 years. The Indigenous people immediately set out to find allies. Natives and activists had to thoroughly research an issue about which they knew almost nothing. They soon began to mobilize in protest.

Letícia Abreu is a 32-year-old lawyer with Instituto Terramar, a local NGO. She advises the Anacé people. Sitting next to the chief, she points out the two issues that she considers to be the most contentious. Firstly, the data center project obtained its environmental license through a simplified process, without any mention of its scale. This procedure is now being investigated by the Public Prosecutor’s Office, according to Abreu.

“These data storage facilities are plugged in 24/7,” she emphasizes. “They never unplug them. They require a huge water supply… and while [the firms] say they’ll only use renewable energy, solar and wind power don’t offer a stable supply.” Casa dos Ventos states that the project will operate with “a 100% renewable energy supply.”

The underlying problem, the activist lawyer from the Terramar Institute notes, is that renewable energy projects are often strategically installed in areas inhabited by traditional or Indigenous communities, where land ownership isn’t often legally recognized. This weakens the ability of those affected to defend their rights. Abreu also emphasizes that what they’re fighting against is inequality, not renewable energy. The NGO advocates for a just energy transition.

Chief Roberto confirms that a dialogue has been established with those pushing for the data center. Still, he finds their terms to be unconvincing: “They want to come and explain the project… but for now, we haven’t authorized [this],” he explains.

“First, they violate us. And now, they’re asking us to marry them,” he scoffs.

Like the vast majority of lower-income Brazilians, the Anacé Indigenous people are well aware of their rights. And so, when the project representatives sit down with the chief and offer to improve the electricity supply or internet connection in exchange for the community’s support, he becomes furious and responds sharply: “What kind of promise is that? That’s [our] right!”

They’ve told him the data center will operate with a closed-loop water system, but he fears that the village’s wells will run dry. He’s worried about the water supply, the impact on biodiversity, the heat and noise emanating from the facilities and, above all, that this project seems destined to pave the way for similar ones down the road.

The Anacé chief is using every means at his disposal to publicize his people’s struggle. On the day of his interview with EL PAÍS, he had just returned from the city of Belém. There, he had spoken about his battle against TikTok, in a debate held alongside the UN climate summit, COP30. And that’s precisely why, he says, he has a TikTok account, just like some one hundred million of his compatriots. “I only use it to amplify our voice, not for those silly dances,” he clarifies.

Reflecting on the power of the internet, he links the contemporary addiction to social media with one of the most influential chapters in Brazilian history. “We live in an era of digital slavery. The internet is like a chain that, instead of tightening around the neck, tightens around the brain. The data center is a kind of slave ship, because we’re at the mercy of a minority that manipulates us and encourages us to buy into a false kind of happiness.”

These are the words of the chief: a teacher, librarian, security guard and Indigenous leader in Brazil, in 2025.

Translated by Avik Jain Chatlani.

Article published in collaboration with Luminate

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Millie Bobby Brown’s Red Carpet Evolution: From Her First ‘Stranger Things’ Premieres To Her Signature Style

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The actress is in the midst of promoting ‘Stranger Things 5,’ a perfect opportunity to see how she has shaped her fashion sense over the years while staying true to herself

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