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Violence Against Animals Running Rampant On Instagram: ‘There Is No Control’

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A pack of more than six dogs is set loose on a wild boar in its death throes in a video uploaded to an Instagram account dedicated to hunting. The unsettling images show the animal bleeding as it attacked by the canines, and an accompanying text commentary praises the ferocity of the attacking beasts. “Money can’t buy the assurance they give me with their grip,” writes the owner of the account. There are dozens of similar pages on Instagram and Facebook that show explicit content of “maximum cruelty” toward animals in Spain, as reported by animal welfare organization the Franz Weber Foundation.

The Swiss environmentalist foundation has spent more than six months analyzing public profiles on Instagram – those that are open to any user without the need to be granted access – and have accessed others that are restricted to members anonymously, to verify the veracity of accounts that publish this kind of material. The foundation’s spokesman in Spain, Rubén Pérez, says that none of the content has been removed from Instagram, despite the videos showing open wounds, animals attacking with teeth and claws and the suffering of the animals on the other end, and in spite of official complaints being lodged through the channels provided by the platform. “We have seen that on Instagram there is practically no kind of control in place, they give free rein to these instincts and furthermore they are accompanied by commentaries or texts that emphasize the violence. These dogs are practically being turned into killing machines.”

Ana Mula, a lawyer who specializes in environmental law, says that these practices could represent an administrative infringement and a crime of animal cruelty, adding that depending on the region of Spain in which they are committed, offenders can be fined by up to €200,000. “It is a very serious sanction and can be accompanied by preventive measures during the legal process that an include a ban on keeping animals and the confiscation of any animals involved.”

One of the hunting profiles on Instagram shows a calf being bitten by a dog inside a pen for no apparent reason. Another shows a dog with its neck torn apart. The text accompanying the photograph, as is the case on other accounts, praises the ferocity of this particular breed of hunting dog, known as the Spanish bulldog, which is noted for its biting ability when attacking prey. The Franz Weber Foundation, which described the images as “sadistic,” says that Instagram has failed to remove these accounts despite its complaints. According to the foundation, the platform’s response was: “We have determined that it does not violate our community standards.”

Many of these Instagram pages also offer sales of Spanish bulldogs, using the videos uploaded as promotional tools to advertise their aggressiveness. According to the Franz Weber Foundation, the use of social media for these ends could constitute illegal breeding, as various legal requisites are not being met. “They had litters and were distributing them to people after receiving up-front payments. And we can say that they were using Instagram as a way of advertising these litters, using the supposed skill these dogs possess for hunting or attacking livestock,” says Pérez.

As Mula points out, whether or not a crime has been committed depends on the region of Spain where the infraction has taken place, as there are 17 different animal protection laws in place in each of the country’s 17 regions. “Currently there is no homogeneity and there is a different legal treatment [in each region],” the lawyer says, adding that a sanction in Catalonia, where the laws are stricter, is not the same as a sanction in Castilla y León or Castilla-La Mancha. “The case of Castilla-La Mancha particularly stands out because under regional law, animal welfare regulations exclude hunting dogs.”

At the national level, a draft animal protection law is being processed in parliament that is considering banning these practices and limiting the breeding of hunting dogs to professional breeders. However, last Tuesday the leftist Socialist Party (PSOE) party filed an amendment to the draft bill that would exclude game animals from the law, limiting its scope in the case it is passed only to domestic pets. As the amendment states, game animals would in this instance be governed “by specific legislation as laid out by the National Hunting Management Strategy.”

The Franz Weber Foundation rejects this change to the proposed law and says it is in talks with other Spanish parliamentary groups to coordinate an alternative position. As Pérez points out, if the law is passed with the amendment included, people who breed these kinds of hunting dogs in this way and use Instagram to promote their aggressiveness with violent footage and images cannot be prosecuted. Pérez also says the inclusion of the amendment will also work against the protection of these breeds, which can be hurt when being forced to act in this way. “As things stand, there are no sanctions in place against the hunters because it is understood that these situations are normal. What the new law proposed is that if you expose a dog to danger, you are responsible for what could happen to it,” says the lawyer.

For her part, Mula also says that the new law presents an opportunity to ensure that the owners of dogs that are used to herd livestock, guard dogs and those used for hunting are not excluded from the obligations of the law and can be prosecuted or fined for mistreating the animals. “We have to be stricter when it comes to the control of these animals,” she notes.

Pérez also calls for better control systems to be put in place to avoid practices such as those the Franz Weber Foundation is seeking to prevent being uploaded to social media. “We cannot always rely on civil society, which spends hours on social networks, to decide whether this may or may not constitute a crime.”

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Brad Pitt’s Many Faces: Actor, Sculptor And Now, Owner Of A Cosmetic Brand

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Brad Pitt has combined two of life’s greatest pleasures – wine and skincare – in a single product. In an interview with Vogue magazine on Wednesday, the actor announced the launch of his gender-neutral skincare line, Le Domaine. Pitt joins a long list of celebrities who have started their own cosmetics brands in recent years (Lady Gaga, Selena Gomez, Harry Styles…). However, the Hollywood star’s patented product line is unique in that it is made from grapes grown in Pitt’s own vineyard in France, Château Beaucastel.

“Le Domaine is not meant to be a celebrity brand,” Pitt explained in a press release. “It is an anti-aging cosmetics range for men and women. I love the idea of a genderless line,” he added. The actor has made it clear that he is not offering the typical Hollywood-centric brand. The line features subtle products for both genders. “I don’t know if it’s just that I believe in being all-inclusive as much as possible? Or maybe it’s about us guys needing help from others in understanding how we can treat our skin better… We kept the smell very neutral, very fresh, and very, very subtle.”  Pitt also emphasized that Le Domaine is a sustainable line; products are sold in refillable bottles with caps made from wine barrels, as he explained to Vogue.

Pitt is not the first celebrity to launch a beauty line and he won’t be the last. Dozens of celebrities have put their names or faces on cosmetics brands. Some of them simply attach their image to the products, while others test the ingredients or go to the lab to check out the manufacturing process. In November, Harry Styles launched a range of gender-neutral products called Pleasing; in June 2022, Hailey Bieber introduced her Rhode Skin products; Rihanna has found success with her Fenty Beauty brand, and Selena Gomez’s Rare Beauty has prospered as well. And, of course, there’s Kim Kardashian and her sister Kylie Jenner, who expanded her cosmetics and skincare brand in 2019.

Unlike other celebrities, Pitt has decided not to be the face of Le Domaine; he won’t appear in advertising campaigns or do interviews to sell the products. In his interview with Vogue, the actor acknowledges that the beauty industry is already “saturated,” but he explains that, in the process of developing his brand’s products, he noticed a “difference” in his skin as a result of the antioxidants in the grape-derived cosmetics. His vineyard is a multimillion-dollar business that exports rosé wine all over the world, and none of the harvest goes to waste: “Anything left over or discarded becomes food for something else. This exemplary circular system is the inspiration for Le Domaine.” The new products cost between $80 and $385; they are now available for purchase on Le Domaine’s website.

Pitt has a special attachment to the vineyard and the products derived from it. In 2008, he and his then-partner Angelina Jolie acquired majority ownership of the property, and the couple got married there in 2014. Since their separation in 2016, the former couple has been engaged in an ongoing battle over the vineyard. In July 2021, the actress accused him of blocking the sale of Château Miraval, and in February 2022 Pitt sued Jolie for selling her shares of the property to Russian businessman Yuri Shefler without notice, despite their agreement not to sell shares without the other’s permission.

The actor has had a busy week. On Monday, he announced that he contributed nine works to a Finnish art exhibition. Pitt began working on the sculptures after his divorce from Angelina Jolie, with whom he shares six children; he and Jolie are still embroiled in a custody battle. At the exhibit’s opening, Pitt explained why he began sculpting. “To me it’s about self-reflection. It’s about where I have gotten it wrong in my relationships, where have I misstepped, where am I complicit…For me, it was born out of ownership of what I call a radical inventory of self, getting really brutally honest with me and taking account of those I may have hurt, moments I have just gotten wrong.”

From left to right, Australian singer Nick Cave, British sculptor Thomas Houseago and American actor Brad Pitt present a joint exhibition at The Sara Hilden Art Museum in Tampere, Finland, on September 19, 2022.
From left to right, Australian singer Nick Cave, British sculptor Thomas Houseago and American actor Brad Pitt present a joint exhibition at The Sara Hilden Art Museum in Tampere, Finland, on September 19, 2022.JUSSI KOIVUNEN (AFP)
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Did The Nazis Invent Modern Management Culture?

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Is there a link between how modern companies are managed… and Nazi Germany? In his groundbreaking essay, Free to obey, historian Johann Chapoutot – professor of Contemporary History at the Sorbonne – describes how Hitler’s regime launched a model of hierarchical organization based on individual initiative and the delegation of responsibilities.

According to Chapoutot, the Nazis defended a non-authoritarian conception of work, where the worker was no longer a subordinate, but rather a “collaborator” – a notion that may seem to contradict the illiberal character of the Third Reich.

This strategy of assigning tasks and defining competencies – opposed to the verticality of British or French capitalism at the end of the 19th century – was at the service of the German war economy and the extermination of millions of people. However, it ended up surviving the end of the conflict in 1945 and was left as an inheritance to post-war Europe.

The essay caused astonishment and some controversy when it was published in France in 2020, where it became a small publishing phenomenon.

“I discovered the similarities between the Nazi and neoliberal models by studying the work of German jurists, who theorized about a new normative framework for the regime: they needed a new moral law, a new right that would authorize them to exterminate part of the population,” explains Chapoutot in a restaurant attached to the Sorbonne. Among these theorists was Reinhard Höhn, who, after World War II, became the father of modern management in Germany.

Höhn believed that the state should disappear and give way to new government agencies that were less bureaucratic and more dynamic, in which autonomous and happy workers would thrive. For Chapoutot, studying the labor organization of the Nazi regime allows us to delve into another even more thorny question: that of the historical status of Nazism in Europe.

“The Nazis are fully integrated into Western history. Hitler’s legacy is inscribed in our modernity. In reality, the Nazis did not invent anything. They [simply] took logics that existed before their rise to power and took them to the extreme… they then remained after the disappearance of the regime.”

The essay dismantles many myths about Nazism. For instance, Hitler was actually opposed to the idea of a strong state – revered in Prussian times – as he considered it to be a catastrophe for the German race. In 1934, he declared, “it is not the state that gives us orders, but we who give orders to the state.”

In opposition to Marxism, the Nazis promoted a kind of voluntary alienation of the worker. “They promoted a new concept of subordination that would be accepted by the subordinate himself. Nazism’s projects were gigantic: they had to produce, expand, reproduce and prepare for war in record time. Repression did not work. It was necessary to obtain the consent, or even the enthusiasm of those subjected,” Chapoutot points out. This ambition gave rise to an organization of work that highlighted its pleasant character, ventilation and hygiene measures, ergonomics and leisure activities.

 The historian Johann Chapoutot, author of Free to obey, in Paris, September 2022
The historian Johann Chapoutot, author of Free to obey, in Paris, September 2022Bruno Arbesú

In Nazi Germany, the phrase “strength through joy” was popularized by the Ministry of Propaganda, with the rulers convinced that production could only be sustained through an illusory sense of joy and well-being. The state organized vacations for workers, concerts in factories, sports activities, special diets and courses to manage stressful workloads. The parallels to the “happiness managers” that have emerged in Silicon Valley – offering yoga courses and installing foosball tables for employees – are eerie.

The goal of Hitler and Propaganda Minister Goebbels – as they made clear in two speeches delivered on May 1, 1933 – was to end the class struggle and eliminate conflict in the workplace, so as not to harm productivity.

“In contrast to what they labeled as ‘Jewish Marxism’ – which opposed work and capital – Nazi propaganda launched another image: the engineer and the worker shaking hands. In the First World War, they had fought together in the trenches, because they were part of the same nation and the same race. Marxism threatened to destroy that unity,” explains Chapoutot. “Hitler told the workers that he was one of them.”

Above all, the Nazis advocated social Darwinism: a society of winners and losers where the latter could only blame themselves for their failure. To be an acceptable citizen, you had to not only belong to the right race, but also produce beyond your means.

“When this was not the case, the individual became a dead weight for society, which opened the door to their extermination. The Nazis represent a kind of dehumanization that is still valid today. We are no longer people, but human material… an omnipresent expression in the language of the Nazi regime, which was later renamed ‘human resources.’ “

Chapoutot thinks that the massive layoffs taking place in the post-industrial era are tied to the dehumanization pushed in the 1930s and 40s. He recalls the privatization of France Télécom, which resulted in 35 worker suicides in 2009.

“Two years earlier, its CEO had stated that the 22,000 laid off employees – useless for a public company in the process of privatization – should leave ‘by the door or by the window.’ And that’s what happened,” the historian laments.

He admits that his essay has a deeply political dimension. “With respect to the current climate, [we need] to remember where that dangerous vocabulary comes from.”

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Italy Elections: How Divisions On The Left Have Benefited The Right

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Italy’s elections on Sunday could lead to a right-wing government in the fascist tradition coming to power. If so, it would be the first time since World War II that such a government has been elected in either Italy or Europe. However, this is not so much the right’s victory as it is the left’s defeat. In fact, the overall percentages of support for the center-right and center-left have not changed much in recent months. However, the internal composition of the different coalitions has changed. On the center-right, Giorgia Meloni’s Brothers of Italy party, which came from the post-fascist Social Movement party, has surged, while Matteo Salvini’s La Liga has fallen in support. On the center-left, the Five Star Movement was declining as the Democratic Party (PD) made gains. Those positions have now been reversed: support for PD has fallen, while Five Star Movement has seen a boost. But the degree of unity or disunity among the different groups is what matters.

The center-right enters Sunday’s elections united, despite previous divisions between the government and the opposition. Giorgia Meloni deftly remained on the sidelines of Mario Draghi’s government, which has allowed her to tap into social discontent. But remaining aloof from the government didn’t stop her from forming a coalition with Berlusconi’s Forza Italia and Salvini’s La Liga. The center-right learned a long time ago how to sharply distinguish its own positions for maximum political effect – while sometimes engaging in internal disputes – to then form alliances with those they’d bitterly disagreed with in the past. On the center-left, however, the Five Stars Movement and PD are running separately in these elections even though both formed part of the government. That division will have a significant impact on the outcome of Sunday’s elections. The Rosatellum electoral system – named after former PD politician Ettore Rosato and Renzi who drafted the electoral law – greatly rewards coalitions. That means that, despite having more votes overall, the divided center-left will not have enough to win a majority of seats.

That division is not just a tactical issue. It’s a structural condition that reflects the chasm between the different classes and social categories that the different parties represent. The Democratic Party was supposed to be the party of social democracy and represent workers. After all, it is the heir to the Italian Communist Party (PSI) and left-wing Christian Democracy. But today it is the most bourgeois party; its highly educated electorate is concentrated in large urban centers and has white-collar, professional and managerial occupations. Workers who used to vote for the PCI and Italian Socialist Party (PSI) are now pensioners who vote for the PD, while their children tend to have middle-class professions and occupy a position of relative wealth. At the same time, the PD has left the working-class electorate – those who work for very low wages and those who live in abject poverty – a group concentrated in southern Italy. The Five Star Movement appeals to those very people, and it offers them measures like citizens’ income, a social welfare system that is similar to universal basic income. In other words, the Five Star Movement has gone after an electorate that normally would have voted for a social democratic option, but now there is none.

During the electoral campaign, Giuseppe Conte, the former prime minister and current leader of the Five Star Movement, emphasized the social aspect of his party. He made his campaign slogan “on the right side,” harshly attacked politicians – like Matteo Renzi – who want to eliminate the citizens’ income, and adopted buzzwords reminiscent of US Democrat Bernie Sanders and the UK Labour Party’s Jeremy Corbyn. Conte’s rallies have packed plazas with supporters, especially in southern Italy, where the economic conditions are the harshest. The Five Star Movement has surged at the polls and now threatens to overtake the Democratic Party. This situation has forced the PD’s Enrico Letta, who initially pursued a centrist strategy, to switch to more progressive promises, such as public sector hiring and protecting public services. But that strategy has seemed indecisive and insincere, especially because Letta had presented himself at the beginning of the campaign as the candidate who would support a new Draghi government to maintain stability and the system. Thus, the Italian situation reflects a realignment of center-left forces that isn’t unique to Italy; it’s happening all around the world. Old social-democratic forces have become middle-class ones; they are now in danger of losing working-class support. They are also being pressured from the left, or rather “from below,” by new populist forces that present themselves as the true defenders of the people’s interests. The risk of reshaping the center-left is that the right will win, which is likely to happen in Italy on Sunday.

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