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The Story Behind ‘Dancing On My Own’ And The Irresistible Power Of Songs That Make You Cry While You Dance 

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The last production that the song appeared in was the Netflix film Voicemails for Isabelle (2026). This romantic dramedy stars Jill, an aspiring chef who sends voice messages recounting her life to her sister, who passed away after a life confined to her home due to cystic fibrosis. They shared a favorite song that moves Jill every time it plays: Dancing on My Own (2010), by Robyn, the Swedish singer. But well before the film was released, over the past decade-and-a-half, the song had already appeared on the soundtracks of many movies and television shows, playing during some of the most memorable scenes in these productions.

One of the clearest examples is the series Girls (2012-2017), which features many iconic sequences, such as when Hannah (Lena Dunham) dances in her room (who hasn’t been swept away by music in the privacy of their bedroom?) to the rhythm of this song. At that moment, her roommate, Marnie (Allison Williams), appears… and the amateur dancer tells her that her ex-boyfriend is gay (in an admission that comes off as both funny and a little unhinged). Her friend then dances with her and the episode – titled All Adventurous Women Do, now a television classic – comes to a close.

This song has a connection to Dunham’s series in the same way that The Cranberries’ 1992 song Dreams serves as the anthem for Derry Girls (2018-2022). But in the case of Dancing on My Own, many viewers will easily associate it with other shows.

Robyn’s hit song appears in key episodes of Orange Is the New Black, Gossip Girl (the original) and Never Have I Ever. A symphonic version is used during a ballroom dance in Bridgerton. It also features in pivotal moments of films such as Babygirl (2024), The People We Hate at the Wedding (2022) and Teen Spirit (2018), where actress Elle Fanning performs it with great emotion. And, of course, there’s the aforementioned Voicemails for Isabelle, whose success has made the now-legendary song a trending topic on social media platforms like TikTok. In June, when the film was released, Google searches for it skyrocketed by 400% compared to the previous month.

“I don’t know what it is about that song, but it just drives me crazy. For me, it’s the feeling of being the girl [standing] in the corner, watching the guy you like with someone else. I think, when I first heard it, I [realized that I] felt like this way, way too often. It seems like a super universal feeling that not too many people can put into words,” Belén explains. She’s a Robyn fan who discovered the song thanks to Girls.

Her theory coincides with the explanation offered by cultural critic Hanif Abdurraqib in The New York Times, in a 2022 article titled The Delicious Misery of the ‘Sad Banger.’ This refers to sad songs that you can dance to and that, mysteriously, comfort your soul.

“[The sad banger] gets beyond binary emotions and unlocks a multilayered fullness that might, depending on the song, involve dancing, and crying, and longing, and stumbling out of some dive bar midtune to text or call the person you probably shouldn’t,” the critic wrote. “You can measure the success of a song by the limitlessness of emotions and impulses it can seduce out of a person. Robyn’s Dancing on My Own may be the ultimate sad banger, and it is undoubtedly a classic within the canon, taking its emotional and sonic cues from a long line of sad disco anthems and new-wave hits (Robyn herself has cited musicians like Donna Summer and Sylvester, and songs like Dancing With Tears in My Eyes, by Ultravox).”

“All these artists,” Abdirraqib added, “dabble in bright, electronic, up-tempo odes to the specifics of heartbreak, performed with a sort of suddenness – an urgency, as if a person has just walked from the ruins of emotional wreckage and needs to deliver a report on the damage while the memory of it is still fresh.”

This category of “sad bangers” would also include Gloria Gaynor’s I Will Survive and Donna Summer’s Last Dance – both released in 1978 – and Olivia Rodrigo’s Vampire (2023), to name just a few.

An ascending journey

Dancing on My Own was released in April of 2010 as the first single from Robyn’s mini-album, Body Talk Pt. 1. The song reached number one in Sweden, her home country, and number eight in the U.K., but failed to crack the U.S. Top 40. Its international popularity steadily grew, however, thanks to it being included in the television series Girls and Calum Scott’s cover version on Britain’s Got Talent in 2015. His acoustic performance (while not exactly “dancefloor-friendly”) was quite captivating for many audiences.

Currently, the track ranks number 20 on Rolling Stone magazine’s list of the 500 Greatest Songs of All Time, ahead of David Bowie’s Heroes, Bruce Springsteen’s Born to Run, The Ronettes’ Be My Baby and Otis Redding’s (Sittin’ On) The Dock of the Bay.

In 2015, singer-songwriter Lorde declared that Dancing on My Own was the perfect song. “The other day I was in the studio with some new friends and I asked them which one song they would send into space, to live on forever, if they had to,” the artist wrote on her Tumblr. “I thought about it for a while – thought about Talking Heads and Fleetwood Mac and Nina Simone – but the song that came out of my mouth was Dancing on My Own, by Robyn.” Later, she herself achieved international success and even made the same Rolling Stone list (although her song was a few spots lower than Robyn’s).

Various experts have tried to unravel the secret behind the song’s success. As The Guardian reported last year, on the 15th anniversary of the song’s release, American podcaster Sam Sanders noted that the simplicity of the lyrics plays a significant role: as soon as someone hears Dancing on My Own a couple of times, they’ve already got the chorus memorized and can belt it out anywhere.

Sanders spoke with a musicologist, who explained that the song’s 117 beats per minute (BPM) practically matches the average walking speed. “[Robyn] is doing this in a tempo that is pretty close to the human heartbeat,” Sanders explains. “It’s programmed to burrow into your bones, to get into your body and make you move. It’s inescapable.” Taylor Swift’s Wildest Dreams, The Velvet Underground’s Lady Godiva’s Operation and Massive Attack’s Teardrop also share that rhythm.

This past February, Robyn stated in an interview with The Cut that the lyrics are based on her breakup with an ex-boyfriend she had been in love with for years, even though they were both in other relationships. But she made a clarification: “Actually, there were many men who inspired that song on different occasions during a crazy period of my life.” She also acknowledged that it’s her favorite song to perform live, because it captivates both her and her audience: “I don’t really feel like it’s my song anymore. I feel like it’s my fans’ song.” A quick internet search will turn up videos demonstrating the fervor of her fans: for instance, at after-concert parties in the New York City Subway system, crowds of people have sung along to the song while standing on the platform.

In fact, one of the most memorable scenes from Voicemails for Isabelle shares that cathartic feeling of fans belting out Robyn’s lyrics. The protagonist is relaxing in a San Francisco park… but when the song starts playing, she begins to dance. And this gets everyone around her moving. Clearly, Dancing on My Own is already an undeniable classic.

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Alan Cumming

Russell T. Davies: “I’m Glad That ‘Heated Rivalry’ And ‘Heartstopper’ Give LGBTQ+ Stories Happy Endings. I Just Can’t Write Them”

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Screenwriter Russell T. Davies, 63, has lost count of the number of times a member of the LGBTQ+ community has approached him over the past 25 years to tell him that one of his series changed their life. “I never get tired of it happening. I appreciate it every time someone says that,” the British writer tells EL PAÍS in a video interview.

Several generations of viewers have now thanked him. The first barely knew how to use the internet when they were pirating Queer as Folk (1999), before streaming platforms existed. The series occupied a groundbreaking space on television, portraying a gay community that was imperfect, vibrant, and unapologetic about its existence. Later, the dual narrative of his companion series Banana and Cucumber (2015) added new layers, including the challenges of middle age, to characters who were far from likable or angelic. Meanwhile, It’s a Sin (2021) chronicled the AIDS crisis through a group of young people in 1980s London. Other works with broader themes, such as the new Doctor Who and Years & Years, have also explored diversity.

“I don’t spend much time on social media because I’ve received death threats since I began including trans characters in my scripts. But I also get complaints from the trans community, which believes a gay man should not be the one telling their story. That’s when you think, God, everyone’s angry,” says Davies, just days after HBO Max’s international release of his latest work, Tip Toe, which is precisely about that widespread sense of hostility.

The story begins with Leo (played by Alan Cumming), a gay man who is open about his sexuality and owns the Spit & Polish bar on Canal Street, the heart of Manchester’s LGBTQ+ district. It is a safe haven for many of the city’s young people and a familiar setting in Davies’s television work.

In the opening minutes of the series, Leo finds himself in a situation straight out of a classic comedy. After a one-night stand, he ends up stranded in the street wearing only his underwear and is forced to ask his next-door neighbor for help. Clive (David Morrissey), the man who has shared a wall with him for 14 years, could not be more different: an electrician struggling financially, with two young children and trapped in an unhappy marriage. Before the first of the series’ five episodes is over, however, Davies makes it clear to viewers what lies ahead. This is not a comedy, but a tragedy.

Tip Toe originated in Davies’s mind from a similar situation, though one completely opposite to the one depicted in the show. “My neighbor Mike was a wonderful man who sadly passed away last year. He had a key to my house. He was a lovely neighbor, a big, tough man. But giving your front door key to someone suddenly makes your house a bit porous and open. And he would sometimes walk in without saying,” the screenwriter recalls.

That anecdote sparked his storyteller’s imagination, leading him to explore possibilities far removed from reality. “What if something went wrong between us? What if we fell out? What if my neighbor or his family were homophobic?” Davies found himself wondering.

At the same time, the British writer was increasingly concerned by the growing wave of anger and violence in society. “These elements have always existed in some shape or form, but now they are being driven by the digital environment, by our phones and by algorithms. As a gay man, I was getting more and more alarmed by this,” he admits.

It is a theme he had already explored in the dystopian Years & Years. The series enjoyed major success around the world, though less so in the United Kingdom. “I was wondering how to tell a story about where we’re heading, but make it more popular, more watchable,” he says.

That is how Tip Toe was born. Ultimately, the series examines how toxic masculinity permeates society regardless of gender or sexual orientation, much as it does in another of HBO Max’s major releases of the year, Richard Gadd’s Half Man. “Toxic masculinity is also awful for straight men,” Davies argues.

David Morrissey and Alan Cumming, the lead actors in Tip Toe, have been friends for more than 40 years. Paradoxically, that on-screen chemistry helped build the gradual rift between the series’ two protagonists.

“It was a huge advantage that we didn’t have to wait for them to build trust. They know each other so well that they could try things other actors would never dare,” the showrunner says enthusiastically. “I’m glad that LGBTQ+ stories like Heated Rivalry and Heartstopper have happy endings. But I can’t seem to write them… Thanks to those shows, I don’t necessarily need to.”

In many of Davies’s series, the enemies confronting his characters are invisible monsters that no one quite knows how to defeat. In Tip Toe, those forces are the algorithm and vulture funds.

“The economy feels like a ghost. TV shows don’t usually explain how their characters manage to pay for their homes. In this series, I wanted all of that to be part of the story. Prices keep going up because of a ridiculous war like the one in Iran, sparked by his tantrums and outbursts of the U.S. president. And that really drives people to despair and makes them feel trapped,” he concludes.

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Eclipses

Solar Eclipse In Spain: A Guide To The Astronomical Event Of The Year

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Spain will experience a unique astronomical event this summer: a total solar eclipse. No total eclipse has been visible from the Iberian Peninsula since 1905, although one did pass over the Canary Islands in 1959. It will therefore be an extraordinary occasion for millions of Spaniards, many of whom will be enjoying this unparalleled sensory experience for the first time. Here are the key things you need to know to make sure you don’t miss this phenomenon.

When is the solar eclipse?

The eclipse will take place on Wednesday, August 12, shortly before sunset. The peak of the event will occur at around 8:30 p.m., although the exact timing will vary depending on the location within Spain. The eclipse will first make landfall along the coasts of Galicia and Asturias at around 7:30 p.m., and it will become total nearly an hour later.

Where will this astronomical phenomenon be visible in Spain?

The upcoming solar eclipse will be total across almost 40% of Spain, along a band that crosses the northern part of the country, entering via Galicia and Asturias and exiting over the Mediterranean coast and the Balearic Islands.

The path of totality will pass through 13 of Spain’s 17 regions, covering at least part of 31 of the country’s 50 provinces. In the rest of Spain, the eclipse will still be visible as a deep partial eclipse.

Is the eclipse visible only from Spain?

Spain will be the only country from which the eclipse can be observed under truly favorable conditions, although the path of totality will also cross uninhabited areas of Greenland, the western tip of Iceland and a small corner of Portugal.

How long will it last?

In areas within the path of totality, night will seem to fall twice that day. During the first of those moments, at around 8:30 p.m., weather permitting, observers will see a black sun encircled by a white halo, with totality lasting for up to 1 minute and 50 seconds.

Is it a one-off event?

Spain will experience three top-tier solar eclipses in three consecutive years: on August 12, 2026, August 2, 2027, and January 26, 2028. The first two will be total solar eclipses, while the third will be an annular eclipse.

Which locations should be avoided?

The main drawback is that the eclipse will reach Spain as the sun is setting. As a result, obstacles near the horizon, such as buildings, trees and mountains, may block the view. For example, the eclipse will not be visible from places such as San Lorenzo de El Escorial, near Madrid, which sits on a mountainside that obscures the sunset.

The other factor that could ruin the spectacle is cloud cover, which will depend entirely on local weather conditions on the day.

How can you find the perfect viewing spot?

The standard advice, to find a location with an unobstructed view of the horizon between west and northwest, may leave many people wondering where exactly to go. Three free apps and a website can help eclipse chasers identify the best viewing locations, without necessarily having to use one of the official viewing areas designated by public authorities.

How can you watch it safely?

The only safe way to look directly at the sun during any phase of the eclipse is to use certified eclipse glasses that comply with the ISO 12312-2 standard and are properly marked with both that certification and the European Union’s CE mark.

The glasses must also display the manufacturer’s address, instructions in the language of the country where they are sold, and an expiration date.

“It terrifies me that anyone would even suggest using X-rays or photographic negatives,” warned Juan Cruz Cigudosa, Spain’s secretary of state for science.

Is a 99% eclipse very different from a total eclipse?

Yes. A 99.9% eclipse and a total eclipse are far from the same experience. Only during totality does the solar corona become visible and the sky take on a nighttime appearance.

For example, in central Madrid the sun will be obscured by 99.96%, but experts stress that even such an extreme partial eclipse bears little resemblance to the sensations experienced during totality. Those in some of the city’s northernmost neighborhoods may be able to glimpse totality for a few seconds at around 8:32 p.m., but only from certain streets.

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Abelardo de la Espriella

Over 100 People Dead After Magnitude 7.4 Earthquake Hits Colombia

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Over 100 people were reported dead after a powerful earthquake measuring 7.4 on the Richter scale shook central and western Colombia on Monday morning. The tremors began at 7.34 am local time and lasted four minutes, according to the Colombian Geological Service, which said the epicenter was located in the western municipality of San José del Palmar, located in a rural, mountainous area in the Chocó department.

The strongest quake recorded in the country in the last decade was felt as far as Panama and Ecuador, and comes less than two months after neighboring Venezuela experienced two back-to-back earthquakes that have killed over 6,000 people.

Many of the victims died in the metropolitan area of the city of Pereira, said the mayor, Mauricio Salazar. There was also a lot of damage in Cali, the capital of the Valley of Cauca, where Mayor Alejandro Eder said around 30 structures have collapsed with “people trapped inside.”

Authorities in Manizales, Armenia and Buenaventura have also reported fatalities and structural damage. Cali, Pereira, Armenia and Manizales are together home to over 3.5 million people, making it likely that the casualty count will keep rising.

The newly inaugurated president of Colombia, Abelardo de la Espriella, had not yet made any official statements after arriving in Bogotá a few hours after the quake; instead he posted a message on social media: “I’m on top of the situation. I am deeply saddened by what affected families and regions are going through.”

The president also wrote earlier that a Unified Command Center has been set up to coordinate rescue action. Through this center, the government has declared a national disaster, which will allow resources to be mobilized faster; however, authorities have stopped short of declaring a state of economic and social emergency, which would allow the president to issue decrees. 

In Cali, where dozens of structures have sustained damage, Mayor Alejandro Eder asked citizens to “remain calm and walk out of buildings” if they see any large cracks.

Colombia is a country at high risk for quakes as it sits on three tectonic plates. There is an average of 50,000 tremors a month, but most of them are too weak to be felt by human beings. In 1999, a magnitude 6.2 quake shook the city of Armenia, killing nearly 1,000 people. Earlier, in 1983, a quake in Popayán resulted in 287 fatalities.

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