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Richard Dean Anderson, The Iconic MacGyver: ‘He Was Different, A TV Hero Who Didn’t Use Guns. He Would Think, Look And Solve The Problem’

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He had a solution for everything. There was no problem he couldn’t tackle. Whether it was forcing open a lock by melting ice, building a defibrillator out of two candlesticks and a microphone cable, making a bomb with a stick of chewing gum or defusing one with a paper clip. He could even stop a sulfuric acid leak with milk chocolate bars. As a popular Spanish saying inspired by the character goes: “You’re more dangerous than MacGyver in a hardware store.”

“I had no idea people said that in Spain. That’s fantastic,” says Richard Dean Anderson, the actor who brought the resourceful hero to life, bursting into laughter. Warm and engaging, the 76-year-old was one of the biggest nostalgia draws at last weekend’s San Diego Comic-Con Málaga. At the event in the Spanish city, he signed autographs, posed for photographs with fans and took part in an entertaining panel discussion. He also spoke with EL PAÍS.

“Meeting fans is wonderful. It’s the best part of all this,” says the U.S. actor, who appreciates the warmth of the public, if not the warmth of the weather. “I’m from Minnesota. I have thick blood. Yesterday [Friday] was really hot. It was terrible,” he says while figuring out how to use a handheld fan.

He adds: “We ran into a bit of chaos that didn’t seem to keep the fans in mind. I don’t know if they are getting what they came for. I suppose I could adjust and accept that’s the way it is here, but I think about the fans, the people who pay the money to come and meet me and get an autograph or whatever… It all feels a little casual.”

“Still, I don’t really have a social life where I live and it’s always nice to meet people,” says Anderson, who lives north of Malibu, California, and leads a lifestyle far removed from that of a typical superstar.

Anderson spends most of his time with his dogs and walking by the sea, away from television and the media. It’s a personal choice. After appearing in more than 600 episodes of the daytime drama General Hospital and becoming MacGyver, he later took on the role of Lt. O’Neill in Stargate, a character that further cemented his popularity in the United States. It also proved to be one of the last major chapters of his acting career.

The turning point came with the birth of his daughter, Wylie Anderson, 28 years ago. He says he quickly realized that nothing was worth spending time away from her as a newborn. “Now she writes, directs and produces. I try to help her however I can, even if that means getting out of the way,” he says.

His face may have disappeared from television screens, but at last weekend’s event in Spain, four decades later, it was one of the most recognizable thanks to the enormous success of MacGyver. Created by Lee David Zlotoff for ABC, the series aired on Spanish public broadcaster TVE between 1985 and 1992. Over the course of its seven seasons, it became a global phenomenon, drawing huge audiences and turning Anderson into an international star. He says he landed the role after asking to keep his glasses on during the audition so he could read his lines.

“The people in charge looked at each other and said: if he doesn’t mind being seen with glasses in a role like this, we’ve found our MacGyver,” he recalls.

The character also closely resembled the real-life Richard Dean Anderson. “The writers put in things that I was interested in, which included the environment, animal rights, anti-gun [measures]. And then there’s a certain part of living as a human being, like I ski, played hockey, and did all those jocular things,” he says.

“MacGyver was different: a TV hero who didn’t use guns. He would think, look and solve the problems without killing somebody, without shooting them,” he explains. “That allowed parents and children to watch the show together. And that’s what I feel most proud of and happy about: those relationships, especially between daughters and dads. I think that combination made the series memorable to a broader audience than normal.”

His role was that of a superhero who, instead of a cape and powers, always had pliers within reach. He was an ordinary person who saved lives, rescued people, and solved conflicts using science, never guns. “I don’t think there are enough people in the world who are intrigued or humbled by science on television today. Because you really have to watch, listen and observe. Whereas a sitcom or a regular drama, you can just hear,” says Anderson.

The actor says he helped devise many of the ingenious fixes his character used to get out of trouble. “We had collaborators — advisers from technical schools and universities near Los Angeles. They told us how something could be solved with what was in the room, and others contributed too. It was a collective effort,” he remembers before pausing to consider whether MacGyver would have used artificial intelligence if it had been available to him.

“He’s more of a practical solver of problems, more physical,“ he says. ”He uses his science mind to see angles or possibilities of what is real, what is right here and now. I don’t know enough about AI, but it’s a little frightening because it appears to me that it takes away the human element. It becomes automatic; it solves. I like the human mind and the way it works now. I understand that AI is not going to let us decide. It’s going to dictate. That scares me. But MacGyver and AI? Maybe he’d just be intrigued, like: how could I use this?”

MacGyver and the Basques

With Anderson visiting Spain, it was impossible not to bring up something rather more peculiar: a first-season episode in which Angus MacGyver travels to the Pyrenees to go undercover, disguising himself with little more than a towel, among a group of “Basque mountain fighters who have been at war with France and Spain since time immemorial,” as the show’s narrator puts it.

The group — whose members wear txapelas and use pelota baskets to hurl grenades — look less like Basque separatists than an unlikely cross between highwaymen and Sicilian gangsters. In the episode, which later went viral on YouTube in Spain, the hero must rescue a geologist whom her captors mistakenly believe to be a physicist and whom, MacGyver suspects, they intend to use to help build an atomic bomb.

“It was so long ago that I don’t remember it,” says Anderson. He has much clearer memories, however, of past holidays in Barcelona and Ibiza, and admits he arrived in Málaga a couple of days early in order to explore the city. “The beach, its castle, it’s incredible,” he says.

During a panel on Saturday afternoon at the San Diego Comic-Con Málaga, Anderson took it upon himself, without being prompted, to describe U.S. President Donald Trump as “a piece of shit.” “Yes, he’s a piece of shit,” he said.

In his later conversation with EL PAÍS, he reiterated the point. “I dislike very much what he is. I don’t like his behavior, his policies, his ego. He’s a negative man. I just don’t respect him, which is the worst thing I can say about a human being. I don’t respect him at all. But it’s one man’s opinion,” he said.

Strong words from the man who played MacGyver, and they came just days after he found himself in a scene few would ever have imagined: posing for a photograph with the cast of Los Serrano, one of Spain’s most beloved television series. What a crossover that would have been.

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Comunidad Lgtbiq

Sarah Schulman, Escritora: “Los Agresores Se Presentan Ahora A Sí Mismos Como Víctimas”

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El victimismo, su explotación y también su uso político para justificar la cruelad, ha sido uno de los temas que más ha investigado Sarah Schulman (Nueva York, 68 años). Han pasado 10 años desde que la escritora, activista LGTBIQ+ y también historiadora del sida, publicase El conflicto no es abuso, que ahora edita en español Capitán Swing. “Tristemente, resulta que el libro fue profético”, explica la autora por videoconferencia, “se publicó antes de que Trump fuera elegido, y él, en cierto modo, ha demostrado que todas las tesis expuestas eran ciertas: toda su retórica gira en torno a que él es una víctima. También lo vemos en Netanyahu. Esa idea de que el perpetrador, el agresor, se presenta a sí mismo como víctima es, por desgracia, la norma a nivel global”.

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Sylvester Stallone: ‘I Don’t Know What The New Masculinities Are. It’s In A Man’s Nature To Conquer’

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It is Sylvester Stallone’s fourth interview of the day. Is he tired of talking yet? “No, because this is the first one about my memoirs,” he replies from a hotel room in New York, his hometown, overlooking Central Park, where he is meeting with EL PAÍS.

The conversation that follows confirms the impression that he has come eager to talk. For more than 40 minutes, the actor expands on subjects ranging from his frustration with a career that never took off as much as he would have liked, to his hatred and subsequent friendship with Arnold Schwarzenegger, and his change of attitude toward Donald Trump. Stallone introduced the U.S. president at an event in Mar-a-Lago in November 2024, shortly after his election victory, describing him as “a mythical character” and “a second George Washington.” Now, however, Stallone criticizes him for leading the United States into the hornet’s nest of Iran.

“Don’t get me involved in politics. I just said I hate war,” he says as the interview draws to a close.

He does not shy away from any question, not even the most painful ones about the death of his 36-year-old son in 2012 or the trauma of a brutally difficult childhood with parents who, he says, never loved him. Even at 80, it is something that still hurts.

The reason for the interview is The Steps, a surprisingly candid memoir in which the tough guy opens up like never before. It is not a conventional autobiography. Instead, it focuses on five pivotal moments in his life and reveals that, contrary to what his parents always told him, he is no fool.

Stallone peppers the conversation with sound effects, gestures such as clenching his fist to convey anger or the urge to hit someone, and impersonates the voices of people in his stories as he recounts anecdotes. He constantly compares himself to animals. All of this is delivered with the characteristic half-smile caused by a difficult birth that left part of his mouth paralyzed, a defect that did not stop him from becoming a global superstar with franchises such as Rocky and Rambo. Watching him now reflect on the 1980s and 1990s, when he was one of the most famous actors in the world, is a show in itself.

Sylvester Stallone

Question. In your book, Rocky is the only film shoot you discuss. Do you feel that the rest of your career failed to live up to what you expected after that extraordinary success in 1976?

Answer. Absolutely. I was not happy with my career. It all happened because I didn’t understand the rules of the game. The character Rocky and I were inseparable. And when people saw me acting like an arrogant, angry and spiteful person, they began to hate me — deservedly. My whole life everyone said, “You’re stupid, you’re a loser.” And when I finally proved them wrong, I overreacted. That was my mistake. I reacted like a child.

Q. When did things start to go wrong?

A. After Rocky, I shot F.I.S.T., a very good film with a very good director. But people hated it. They wrote my funeral. And what did I do? I fought back. I said: “Why don’t you say that to my face? We’ll fight.” It was just like I was still on the street, like an animal. I hadn’t learned humility. I didn’t realize a damned miracle had happened: I was the luckiest man in the damned world [with the success of Rocky], but I didn’t act that way. And it carried over into my life, my marriage and my children. It was a bad stretch that lasted many years.

Q. Rocky won three Oscars, including Best Picture and Best Director. But you were nominated for Best Actor and didn’t win. How did you react?

A. It hurt because I felt I had lost it because of my words. I realized I had made enemies at the Academy. I thought we were going to win. How did we lose the Oscar for best score?

Sylvester Stallone

Q. Does it still hurt today, 50 years later?

A. Of course it does. I understand I did it. It was my fault.

Q. In your memoir, you write that when you finished the Rocky screenplay, you had just $80 in the bank, had spent nights sleeping in shelters and on park benches, and your wife was pregnant with your first child. Yet you turned down an offer of $360,000, more than $2 million in today’s money, because the deal required you to give up the lead role.. How were you so convinced you would succeed? Have you always had that much confidence in yourself?

A. No. I grew up with a tremendous inferiority complex. I wasn’t muscular. I had a mother and father who said non-stop: “You weren’t born with any brains, so build up your muscles; there’s nothing here” [he points to his head]. But something told me: do not sell it. I swear to God, I knew in my heart that this was the moment: either I landed a good acting part, or I would never be a star. At the first screening, people kept leaving the theater. Even my mother walked. I went home thinking: “I’m going to fucking kill myself. I’m going to be a broken, horrible man. I won’t recover. I have no skill. I have no work. I have nothing.”

Q. Your book carries a message about perseverance and never giving up. But isn’t there a flaw in the idea that people who don’t succeed simply didn’t try hard enough?

A. The only way to know whether you will succeed or fail is complete dedication and sacrifice. If it doesn’t work out, you can say you did everything you could, and it still didn’t work. That’s my philosophy.

Sylvester Stallone

Q. You also write that all your efforts were driven by a desire to be loved by your parents. Has that search defined your life?

A. It still does today. It’s such a sadness and regret! Why couldn’t you just love me? How about a kiss? Why do you fucking hate me so much? The more I got successful, the more they hated me. Because I reminded them that they didn’t have such things. They didn’t have talent. But they wouldn’t accept that.

Q. Did you make peace with them?

A. With my father, yes. With my mother, no. My father was physical; she was emotional. No one can hurt you more than your mother. You are part of her.

Q. How did growing up in a violent home affect your approach to parenting?

A. I was very physical. I knew I was strong, although I never used that strength against my children — only on the street. If someone looked at me… I felt like it was my father challenging me. I had a terrible temper. That temper also made me work hard. Even to this day, I’m competitive. I see guys in their fifties, and I say: “I can do that.” It’s weird. And I don’t like it. But it’s part of the animal. It’s like a Doberman; it’s built to be competitive.

Sylvester Stallone recibe una medalla de manos del presidente de Estados Unidos, Donald Trump, durante la ceremonia de entrega de medallas de los Kennedy Center Honors

Q. You went through one of the worst experiences possible: losing a child. Can anyone ever recover from something like that?

A. No. Even if you did nothing wrong, you have a horrible sense of failure. I still feel it today. I can’t even look at a photo; I don’t have any pictures of him at home. It’s too horrible. He was making movies. He was different; he wasn’t an action person but rather intellectual — he liked horror movies and strange foreign films. I know it was hard for him to be my son.

Q. Rocky V is based on your relationship with him.

A. Yes, it’s very autobiographical. A man my mother had just married called me and said: “Sly, you don’t know me. I just married your mother. I have bad news. He’s gone.” I asked who he meant, and he said: “Your son.” “What the fuck are you talking about?” I said. “Yeah, he died. I’m sorry,” he replied. Then he hung up. It was too fucking much; I couldn’t even breathe. I kept it inside. Two weeks later, I exploded. I fell apart. Like an animal.

Q. There has been a lot of talk about your rivalry with Arnold Schwarzenegger. How real was it?

A. We hated each other. It was deep. The hatred came more from me. The press pitted us against each other. He was smarter than me and would say: “Sylvester will make a good movie someday.” And I thought: “Fuck.” He was very political. He’s my favorite actor. I like him.

Q. But now you are friends.

A. Yes, because he’s special. We’re in contact. We even crossed paths about 10 years ago in a hospital. I couldn’t believe it. I was going in for shoulder surgery and there he was, coming out of the same operation, also for a shoulder. I’ll show you a picture. Isn’t that wild?

Arnold Schwarzenegger y Sylvester Stallone

Q. President Donald Trump appointed you ambassador to Hollywood. What does that role mean?

A. When I was made ambassador, I didn’t even know. I was watching CNN, and they announced it. I called the White House to say I didn’t want the job. Ambassador? As if Hollywood were a foreign country! It seemed ridiculous. They also named Mel Gibson; I called him and asked: “Mel, are you an ambassador?” “I don’t even know what you’re talking about,” he answered.

Q. You have defended Trump. What do you think your country saw in him?

A. Sometimes you say things you probably shouldn’t. I’ve changed a lot when it comes to politics. He appeals to many people, but things are changing. War is horrible. I hate it! The only people who get rich are the military-industrial complex, with the blood and bones of those poor people who make no money. I hate the idea of being in Iran. When I did Rambo, I was talking about the Vietnam War. Since Korea, we’ve been going to countries for no fucking reason. War is only justified if you’re attacked. Why do we go there? I feel so bad for the soldiers. Their entire lives are wrecked, and yet they keep defending the flag.

Q. You shaped the idea of masculinity in the 1980s. How do you view today’s obsession with fitness and gym culture?

A. It’s very important, because men need to conquer something to prove their masculinity. It’s part of their nature. That’s why they go to war. Only men do crazy things, like jump out of windows or throw themselves off motorcycles. I never see women doing those things. Every man needs to challenge himself to see if he’s brave.

Sylvester Stallone, Arnold Schwarzenegger y Bruce Willis

Q. And what do you think of the new masculinities?

A. I don’t even know. What is that? A real man is physical. That’s what he’s put on this planet for. That’s what he was and always has been.

Q. How does someone who came to embody masculine strength and vigor come to terms with aging?

A. It’s an adjustment. The gym is the church of the soul. I go just to be in that environment. I can no longer lift 300 pounds. That’s over. But there are other ways to feel strong and masculine. Otherwise I would die. Everything would fall apart if I stayed home watching TV. I would get depressed. I feel pretty good. Dying is easy. Living is hard.

Q. What do you think about the woke movement?

A. It’s kind of boring. I like outrageousness. I like people to say outrageous things and do outrageous things. That’s what I loved about the 1980s, with Andy Warhol and people like that… just crazy. But it’s coming back. It’s all a cycle.

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The Most Relevant Initiatives That Will Appear On The Ballots In November’s Midterm Elections

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The U.S. midterm elections will not only determine who will occupy the Congressional seats and governorships up for grabs in November. In several states, voters will also find ballot measures seeking to amend laws, approve tax changes, or add new provisions to state constitutions.

These measures allow certain public policy decisions to be put directly to voters, either through initiatives introduced by state legislatures or through citizen-led processes. From voting rules to taxes, housing, immigration, and reproductive rights, these are some of the most relevant initiatives that voters will consider in the midterms.

California: Voter ID and taxes on the wealthy

California will vote on 14 ballot measures. Five were placed on the ballot by the legislature, while nine came from citizen initiatives.

The most contested is Proposition 39, which would require voters to present an official ID to vote in person and provide the last four digits of one of those IDs on mail-in ballots. The initiative would also provide free identification cards and require annual reports on the percentage of voters with verified citizenship in each county. The state currently requires identification and a Social Security number to register to vote, but not at the polling place. The measure is opposed by the American Civil Liberties Union (ACLU), Common Cause, the League of Women Voters, and the California Democratic Party.

The other major battle is over taxes. Proposition 3 would make permanent the tax on high incomes approved in 2012 and extended in 2016, with 89% of the revenue going to public schools and 11% to community colleges. Proposition 40, better known as the billionaires’ tax proposal, would impose a one-time tax of up to 5% on people with assets exceeding $1 billion.

Housing is another major area. Proposition 1 would authorize a bond for affordable and veterans’ housing, costing state coffers between $500 million and $600 million annually for about 25 years, according to the Legislative Analyst’s Office. Proposition 37 would create loans for middle-income buyers of newly built homes, while Proposition 45 would expedite environmental reviews for housing, water, transportation, and clean energy projects.

Florida: ‘Save Our Homes’

In Florida, voters will decide on three amendments, all proposed by the legislature, which require 60% of the vote to pass.

One of them, known as Save Our Homes, is the most controversial. It seeks to substantially increase tax exemptions for primary residences and halve the annual cap on increases in the assessed value of nonresidential properties. It is controversial because, while supporters say it would provide much-needed, significant economic relief in response to inflation, critics and public safety agencies warn that the measure would create a severe shortfall in local budgets, putting funding for essential public services such as police, fire departments, and education at risk.

Immigration enters the ballot box

The American Immigration Council, an organization that advocates for immigrants’ rights, is tracking nine state measures affecting these communities. Most concern who can vote.

Arkansas, Kansas, South Dakota and West Virginia will put amendments to a referendum specifying that only citizens may vote; Alaska and Arizona are considering similar initiatives, while Arizona’s would also require identification and ban foreign contributions to political campaigns. There are recent precedents: in 2024, eight states approved measures of this kind. Supporters present them as a matter of common sense; opponents point out that federal law already prohibits noncitizens from voting and that, according to available data, such cases are extremely rare.

Another major measure is Colorado’s Amendment 81, which would require local police to notify the Department of Homeland Security, within 72 hours, when a person who is unlawfully in the country or whose immigration status cannot be determined is charged with certain crimes. Opponents argue that it would apply to people who have been charged but not convicted and could even affect someone with a prior felony who is charged with a minor offense, such as a traffic violation.

Idaho, meanwhile, will vote on an amendment to establish English as the official language in its Constitution. If approved, and unless required by federal law, English would be the only language used in the state’s public proceedings and documents, affecting Spanish-speaking communities.

Other initiatives

In Missouri, Amendment 3 proposes an almost total ban on abortion, with exceptions for rape, incest, and medical emergencies, and would enshrine in the state Constitution a ban on gender-affirming care for minors. It will be the first time voters decide whether to repeal an abortion right they themselves approved at the ballot box. The state will also hold a referendum on the congressional map, although the state Supreme Court ordered the 2022 map to be used in these elections.

Virginia will vote on reproductive freedom, the removal of the ban on same-sex marriage, and the restoration of voting rights after completing a sentence. Nevada, meanwhile, will vote again on its abortion amendment, which would establish abortion as a fundamental right.

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