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Is The Song You’re Listening To AI Or A Human?

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AI tools can now generate vocals, instruments and complete arrangements from a short written prompt. But listeners aren’t interested. Credit: Campus / Shutterstock

AI music is taking the music industry and platforms by storm. Its melodies are flawless, can give a moody vocal performance that resembles Billie Eilish, and can create a song in pretty much any style the prompter likes. With the vast choice of platforms people now have to upload their own music daily, anyone can create a fake AI persona, make a few songs with services like Suno or Udio, and put them up on Spotify and other streaming services.

The robots have found the upload button

That freedom to upload, with no consistent or visible categorisation on whether a song is written or made with AI, is what’s sparking massive debate across the music industry. While artists are furious at the lack of labelling or control over how AI uses human artists’ songs to train its models, general listeners are also becoming less and less capable of identifying whether a track they’re listening to was created by an AI or a human. As general opinion goes, one could say it’s down to the listener whether they want to listen to a machine speak about love or grief with a perfect note-for-note vocal performance, or whether they’d prefer to hear the natural imperfections and emotion from a singer while their quivering lip sings of the loss of a loved one. 

However, that being said, before anyone starts imagining robot stadium tours, the headline needs a little explaining. Deezer, a French music-streaming service similar to Spotify or Apple Music, said on July 21 that it was receiving almost 90,000 fully AI-generated tracks every day. On peak days in June, they made up more than half of all new music delivered to the service. Of course, that is more than half of the Deezer platform’s new uploads, not half of all the music uploaded in the world to every platform. It is an important distinction, although 90,000 machine-made songs arriving daily on just one service is hardly a modest pile. And nor is Deezer alone. The Recording Industry Association of America said Apple Music had separately reported that more than one-third of tracks uploaded to its platform were entirely AI-generated.

The rush of new material doesn’t seem to be producing a matching rush of fans though. Fully AI-made music accounts for only a measly 1 to 3 per cent of listening on Deezer, and the company found that up to 85 per cent of the streams generated by those tracks during 2025 were fraudulent and therefore excluded from royalty payments. Deezer says it keeps detected AI tracks out of its recommendations and editorial playlists, and it now intends to remove those connected to streaming fraud, along with AI tracks that go six months without a single play.

The question that then arises is, if hardly anyone is listening to the music being made by AI and uploaded, who is making it? And who is it for? Because so far, it looks less like a public clamouring for robot pop stars and more like a content factory leaving the tap running.

Most listeners can’t hear the trick, which makes it more uncomfortable

AI artists may not have won over many fans yet, but they’re becoming surprisingly good at sounding as though somebody is actually there. In a Deezer-commissioned Ipsos survey, 9,000 adults across eight countries, including the UK, listened to three recordings: two fully generated by AI and one made by a human. Some 97 per cent failed to identify all three correctly. One caveat is that this doesn’t mean every participant mistook every AI song for a human recording. It means only 3 per cent classified the complete set correctly. Still, it’s hardly a ringing endorsement for our ability to differentiate the two. 

More than half felt uncomfortable about the result, while 80 per cent supported the idea that there should be clear labels for fully AI-generated music on streaming platforms and elsewhere. Some 52 per cent also said they thought synthetic songs shouldn’t compete in the same main charts as human artists.

The figures expose a real gap between convincing sound and meaningful art. AI’s song-making capabilities are so advanced now that they can reproduce the trembling vocal of a singer, a sad piano and a carefully timed swell at the end of a chorus. But emulating is easy for a machine. Living a life with real emotions, having real experiences, and then expressing them in a song for people to connect with is rather harder.

Musicians are not declaring war on every clever tool

The argument is sometimes presented as musicians against technology, which is far too basic an argument. Artists already use software for audio repair, stem separation, mastering, vocal processing and countless other jobs that once took much longer. New software over the years, including the recent AI developments, has allowed millions of artists all over the world to share their music from their home. Once upon a time this would only have been possible for a lucky few who had access to money, connections in the industry, or by spending their entire monthly salaries on a chance at some time in a professional studio. 

However, the line becomes sharper when a short prompt produces the lyrics, voice, instruments, arrangement and finished recording. Composer and flautist Daniel Finch, writing for the Musicians’ Union, described generative AI “creators” as “not true creatives, they are curators”.

UK musicians also appear remarkably united on the basic protections. A UK Music survey found that 92 per cent wanted AI-generated songs labelled. Ninety-one per cent said consent should be obtained before recordings and compositions are used to train AI models, while 93 per cent believed AI companies should pay for that material.

Honest labels could stop the guessing game and provide choice

Music organisations including the International Federation of the Phonographic Industry, the Grammys and the Recording Industry Association of America have now proposed two voluntary labels. “AI-Generated” would cover recordings where AI produced all or most of the creative elements, including a lead vocal or key instrumental performance. “AI-Assisted” would identify substantially human work that used generative AI for certain elements.

The difference is debatably quite big. Tidying a noisy vocal and inventing the singer are not quite the same afternoon’s work. Especially when the creator is making up an entire social media persona for a fake AI artist alongside it. 

The scheme is also voluntary and does not yet cover AI-generated lyrics, compositions, videos or cover art, which means a huge gap would still be present in the value people perceive these aspects of songwriting and production have. This then leaves the same important question open once again: should labelling and crediting be obligatory?

European rules will begin applying on August 2. Under Article 50 of the EU AI Act, providers of generative AI systems must make synthetic audio machine-readable and detectable. But that technical marking does not necessarily mean a clear badge will appear beside every song.

For now, labels won’t settle whether fully synthetic music belongs on streaming platforms. Only people can decide what they want to listen to, and it should remain that way. But at least they would let people know what they are hearing before an algorithm sneakily makes that choice for them.

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Two Chilean Recluse Spiders With A Fearsome Reputation Have Reached Portugal

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Recluse spiders are often blamed for injuries they did not cause. Photo credit: Vinicius R. Souza/Shutterstock

If you have recently seen headlines about one of the world’s most infamous spiders being discovered in Portugal and immediately started checking your shoes before putting them on, you are probably not alone. The discovery of a spider with a reputation for causing serious skin reactions sounds alarming, but before Portugal is imagined as a new home for a dangerous eight-legged invader, there is something important missing from many of the headlines, the reality is far less dramatic.

Scientists have confirmed the discovery of two male specimens of Loxosceles laeta, better known as the Chilean recluse spider. The finding marks the first official record of the species in Portugal and the first documented record on the Iberian Peninsula. It is an important scientific discovery, but it does not mean Portugal or Spain is suddenly full of Chilean recluse spiders hiding in homes.

Two spiders do not equal an invasion

Two male Chilean recluse spiders were discovered in Porto months apart. While that is enough for scientists to officially record the species in Portugal, it does not mean the spider has successfully colonised the Iberian Peninsula. For an introduced species to become established in a new country, it needs much more than simply arriving. It must survive, reproduce, adapt to the environment and create a self-sustaining population over generations.

Finding two unexpected visitors is very different from discovering a thriving population. However, scientists acknowledge that further isolated discoveries in Iberia would not be surprising. Global trade constantly moves species around the world, and accidental introductions can happen through cargo, packaging and imported goods.

A spider that travelled the world

One of the most interesting examples of an introduced Chilean recluse population comes from Finland. A colony became established inside the Natural History Museum of Helsinki after the spiders were believed to have arrived through fruit shipments during the 1960s and 1970s.

Despite decades of visitors passing through the building, including school groups and children, only one confirmed bite has ever been recorded from that colony. The example shows that even where these spiders are present, human encounters remain extremely uncommon.

Spain’s arachnologists urge calm

To find out what this discovery really means, I spoke to friend and colleague Cristian Pertegal, PhD, one of Spain’s leading arachnologists, who has spent more than a decade carrying out active research into spiders and other arachnids. While Pertegal believes the discovery is scientifically significant, he is concerned that some media coverage risks turning it into something it simply is not.

“My biggest concern is that some local media will blow it out of proportion,” he told Euro Weekly News. “Finding two specimens is scientifically interesting, but it shouldn’t be interpreted as evidence that the species has established itself across the Iberian Peninsula.” Pertegal believes the biggest danger at the moment is not the spider itself, but the fear surrounding it.

“People hear the words ‘Chilean recluse’ and immediately imagine a deadly spider hiding in every corner. The reality is very different. Bites are exceptionally rare and cases that actually develop into loxoscelism are rarer still.” For Pertegal, the discovery should encourage scientific curiosity rather than panic. “This is exactly the sort of discovery that should encourage good science, not unnecessary fear.”

A familiar spider with a different name

Adding even more confusion is the fact that Spain and Portugal already have a recluse spider of their own. The Mediterranean recluse spider (Loxosceles rufescens) is native to southern Europe and can already be found across the Iberian Peninsula.

The Chilean recluse (Loxosceles laeta) belongs to the same group as other medically important recluse spiders, including the brown recluse (Loxosceles reclusa) found in parts of the United States. Like other recluse species, it is a small, brownish spider that is difficult for the untrained eye to identify. One of its most recognised features is the dark violin-shaped marking on the upper part of its body, which has led to many species in this group being known as “violin spiders”.

However, this marking alone is not enough to identify a recluse spider. Colour, patterns and body shape can vary, and many unrelated spiders can be mistaken for them. The Chilean recluse, Mediterranean recluse and brown recluse are closely related, and distinguishing them often requires specialist examination of anatomical features under a microscope. For this reason, experts warn against identifying spiders based solely on photographs or fear-driven assumptions after seeing alarming headlines.

Why does the Chilean recluse have such a reputation?

There is a reason Loxosceles laeta attracts attention, native to South America, particularly Chile, Peru and Argentina, it is considered one of the world’s most medically significant spiders because its venom can, in some cases, cause a condition known as loxoscelism. Some bites can result in skin damage and tissue necrosis, but the image of an aggressive spider actively seeking humans is far from reality.

The Chilean recluse is exactly what its name suggests: a recluse. It prefers dark, quiet places and generally avoids people. Most genuine bites happen when the spider becomes trapped against the skin, such as inside clothing, bedding or shoes.

The problem with “spider bites”

One of the biggest challenges surrounding recluse spiders is that they are often blamed for injuries they did not cause. Many people report being bitten by spiders despite never seeing the animal responsible. Without the spider being captured and correctly identified, proving the cause of a skin injury can be extremely difficult.

In many cases, suspected spider bites later turn out to have another explanation, including bacterial infections such as MRSA (methicillin-resistant Staphylococcus aureus), which can produce skin damage similar to loxoscelism. This does not mean genuine recluse bites do not happen. They do. However, confirmed cases are far rarer than public perception suggests.

A major clinical study in Santiago, Chile, examined 250 cases of loxoscelism recorded between 1955 and 2000. Most involved skin reactions, while a smaller number developed the more severe viscerocutaneous form. The figures demonstrate that genuine cases exist, but they also highlight why experts focus on confirmed cases rather than every suspected spider encounter.

Interesting discovery, not a reason for fear

The discovery of Loxosceles laeta in Porto is undoubtedly significant. It gives scientists valuable information about how species move around the world and how global trade can accidentally transport wildlife. Could more isolated specimens appear in the future? It is possible.

But finding individual spiders is very different from proving a species has adapted, reproduced and established itself in a new environment. For now, the message from experts is simple: Portugal has discovered two Chilean recluse spiders. It has not discovered a spider invasion, the real story is not about a dangerous spider suddenly taking over Iberia. It is about how quickly fear can spread, often much faster than the facts.

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Horror In France As Five Newborn Babies Discovered Inside Boxes

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Investigation will need to establish whether the infants were born alive. Photo credit: Vad-Len/Shuttetstock

A quiet home in southern France has become the centre of a devastating investigation after police discovered the remains of five newborn babies hidden inside cardboard boxes. The discovery in Orange, in the Vaucluse region of southeastern France, has shocked the local community and left investigators searching for answers about what happened inside the property.

Authorities launched a criminal investigation after the discovery, with forensic experts now working to establish the circumstances surrounding the deaths of the infants. While the case has raised many questions, investigators have warned that the full picture will only become clear once medical examinations and further enquiries are completed. For neighbours, the most difficult part of the story is the contrast between an ordinary family home and the tragedy that was allegedly unfolding behind closed doors.

A discovery that began with a newborn baby

The investigation reportedly began after a 32-year-old woman gave birth to a healthy baby at home before being taken to hospital. Reports indicate that the woman had previously denied being pregnant, with the circumstances surrounding the birth now forming a key part of the investigation. While she was receiving medical care, her husband reportedly discovered what appeared to be human remains inside cardboard boxes at the property and contacted authorities.

Police later found the remains of five newborn babies inside the home, triggering a major investigation. Authorities are now working to determine when the deaths occurred, the causes of death and the exact circumstances surrounding each case. At this stage, investigators have not released details about how the babies died, and forensic examinations will be crucial in providing answers.

A community left searching for answers

The discovery has left residents in Orange struggling to understand how such a tragedy could have remained hidden. Neighbours reportedly described the couple as a normal family, with no obvious signs that anything unusual was happening inside the property. That sense of disbelief has deepened the shock, as residents attempt to process the discovery of five newborn babies in a place that appeared to be an ordinary home.

Cases involving hidden pregnancies are among the most complex and sensitive situations authorities investigate. They can involve many different factors, including whether a pregnancy was recognised, a person’s mental state, access to support and the circumstances surrounding childbirth. However, investigators have not yet confirmed the reasons behind what happened in this case.

Unanswered questions remain

One of the biggest questions facing investigators is how multiple pregnancies and births could have remained unknown. Reports suggest the woman had denied being aware of her pregnancies, while her husband has reportedly said he was unaware of them as well. Authorities are now gathering evidence, speaking to those connected to the family and awaiting forensic results that could help reconstruct the timeline.

The investigation will also need to establish whether the infants were born alive, the exact dates of the births and the circumstances leading to their deaths. Until those answers are confirmed, officials are expected to proceed carefully as they work through one of the most disturbing cases to emerge in France.

A tragedy behind closed doors

The case has also renewed attention on the phenomenon of hidden pregnancies, known in France as “déni de grossesse”, where a woman may not consciously recognise that she is pregnant.

Medical experts have previously highlighted that such situations can be extremely complex, with some women reaching advanced stages of pregnancy without fully understanding what is happening. However, each case is different, and authorities investigating the events in Orange will need to establish the specific circumstances before drawing conclusions.

A town waiting for the truth

For now, the residents of Orange are left with more questions than answers. The discovery of five newborn babies inside a family home has created a wave of sadness and disbelief, while investigators continue their work away from public attention. Behind the shocking headlines is a tragedy involving five babies, a family and a community trying to understand how such an event could have happened.

As forensic teams examine the evidence and investigators continue searching for answers, the focus remains on uncovering the truth about what happened inside the home in Orange. For a town that began the week like any other, a discovery inside a few cardboard boxes has changed everything, leaving France waiting for answers.

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Amy Winehouse Band At Los Cucalos

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Amy Winehouse Band takes to the stage at Los Cucalos. Credit: Media_Photos / Shutterstock.com.

Fans of live music can enjoy an evening of Amy Winehouse classics at Restaurante Los Cucalos in Orihuela Costa this August. Combining top-class entertainment with Mediterranean cuisine, the popular venue continues its Summer Music programme with a tribute performance celebrating one of Britain’s most iconic voices in a relaxed setting perfect for a memorable summer night out.

Amy Winehouse classics come to Los Cucalos

Live music, great food and warm summer evenings come together at Restaurante Los Cucalos on Friday, 7 August, when the acclaimed Amy Winehouse Band takes to the stage as part of the venue’s popular Summer Music programme.

Known for recreating the unforgettable sound and spirit of the late Amy Winehouse, the band promises an evening packed with classics including Rehab, Valerie, Back to Black and You Know I’m No Good. Their performances have earned a reputation for capturing the energy, soul and jazz influences that made Winehouse one of Britain’s most celebrated singers.

Live entertainment with Mediterranean dining

The concert is one of a series of weekly live music events running throughout the summer at the long-established Orihuela Costa restaurant, where diners can enjoy Mediterranean cuisine while listening to top-class entertainment.

With more than three decades of culinary tradition, Los Cucalos is particularly renowned for its paellas and rice dishes, alongside fresh seafood, grilled meats and homemade desserts. The combination of quality dining and live performances has made the restaurant a popular destination for both residents and holidaymakers throughout the summer season.

Advance booking is recommended for the Amy Winehouse Band performance.

Booking information

Restaurante Los Cucalos is at Avenida Montezenia 1, Orihuela Costa. Reservations can be made by calling (+34) 965 976 639, (+34) 613 981 686 or (+34) 653 110 340.

The restaurant is open daily from 1.00 PM until midnight. Further information, menus and online reservations are available at restaurantecucalos.com. The Summer Music programme continues to attract audiences looking to combine quality food, live entertainment and a welcoming atmosphere on the Orihuela Costa.

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